Producer and multi-disciplinary artist mïus has returned with his latest single ‘Worthy’ featuring the ethereal vocals of HALOSARA, on 21 November 2025 via Théque Records. The powerful single has already gained support from KALTBLUT Magazine and German electronic tastemaker trndmsk.
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Over six albums, mïus, the live audio-visual project of Gergely Álmos, has become a mainstay in the European electronic scene, earning acclaim from tastemaker publications such as Mixmag, CLASH Magazine, Vice, DJ Mag Spain, Faze Mag, and When We Dip, alongside airplay on BBC Radio 6, Rinse FM, and KCRW to name a few. Boasting over a million streams on Spotify alone, his highly-praised catalogue has attracted remixes from Brandt Brauer Frick, Vessels, and Robot Koch. With releases on major labels such as Sonar Kollektiv, mïus has also landed editorial selection spots on Bandcamp, Spotify’s TOP 50 UK and TOP 50 GERMANY, and a premiere on Mixmag’s YouTube channel for the video of his track ‘Strobe and Noise’.
The creative vision of architect and film set designer Gergely Álmos, mïus blends electronic precision with a visual designer’s sense of structure and detail. Rooted in Budapest’s vibrant art scene, the multi-modal artist’s project merges sound, design, and visual storytelling into a cohesive multi-sensory experience. With a style that would entice fans of the atmospheric electronica of Bonobo, Moderat, and Jon Hopkins, mïuscrafts compositions that are cinematic and emotionally layered, deftly finding a meticulous balance between organic warmth and digital intricacy.
‘Worthy’ is anchored by soft broken downtempo beats and airy synths, interplaying delicately with minimal piano phrases that buoy HALOSARA’s dreamy vocals. The track swells with gentle intensity, rising to a pinnacle that is soothing yet euphoric.
mïus shared: „When Sara sent the phone recording of her playing on the piano and singing, its simplicity immediately inspired me. I loved the original draft so much that I kept the phone-recorded chords in the background at the beginning of the song.“
HALOSARA added: “This song is basically an apology to myself for treating myself badly for such a long period. The song came together in such an organic way — it almost wrote itself. I had this little voice memo recording “in the drawer” that I sent to Geri. He took the song to a completely different and interesting level than I had initially thought.“
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