Norwegian progressive metal pioneer Ihsahn has released a new single, ‚Dom Andra ft. Jonas Renske‘ (Katatonia), which is a cover of a track by the Swedish alt rock band Kent. It’s the second single to be taken from forthcoming Fascination Street sessions EP, which is released on March 24th via Candlelight Records.
Check out ‘Dom Andra ft. Jonas Renske’ HERE
Stream ‘Dom Andra ft. Jonas Renske’ HERE
Pre-save Fascination Street sessions EP HERE
Comments Ihsahn: „Prior to getting involved with this project, I’d been talking to Jonas Renske (Katatonia) about doing a cover of the Swedish band Kent and the song ‚Dom Andra‘, and what better opportunity to do a cover of a Swedish band, in Swedish, with a Swedish vocalist, in Sweden with one of the top producers in Sweden. Needless to say, Jonas did a stunning performance of the song and I hope the rest makes it justice too!“
Known as a constantly evolving artist who loves to transcend boundaries, Ihsahn’s musical journey has been relentlessly fascinating and frequently revelatory. With his penchant for collaborative projects and fascination with production, this new three track EP, featuring two new original songs and one cover version, is the direct result of Ihsahn joining forces with URM Academy’s online educational program for music production, and producer/engineer Jens Bogren (Opeth, Dimmu Borgir, Arch Enemy, Powerwolf) of Fascination Street Studios.
Joining Ihsahn on this project was his long-time drummer Tobias Ørnes Andersen and keyboardist Øystein Aadland, who spent ten intense days at Fascination Street Studiosrecording the songs. As well as playing keyboard throughout, Øystein Aadland also adds warm and gentle lead vocals for the track ‘The Observer’ whilst Jonas Renske of Katatoniarecorded guest vocals to the cover song ‘Dom Andra’.
Throughout the whole experience the URM Academy team captured everything on video with Jens Bogren adding commentary to the production techniques used, with detail on mic placements, preamps, drumhead tunings, sharing his methodology and drilling down into what goes into a recording such as this.
Ihsahn adds: „The idea was to capture high end recordings of real instruments in great rooms, and we had an amazing setup for drums, guitars, bass and even a vintage Hammond organ with Leslie, Wurlitzer, Rhodes etc, recorded through Fender combos and analogue pedals etc.
„This was an amazing experience, and very educational, as I love everything related to music production. Both the Fascination Street and URM teams were incredible, and I believe everyone involved had a great time, in spite of 14–16 hour workdays. I ́m very happy with how everything came together and for those interested in the technical aspects of how it was made, there will be a thorough course coming soon at URM Academy.”
Since 1991 Ihsahn has defied expectations and pushed boundaries. More than any other artist to emerge from the fertile black metal scene of the early ‘90s, Ihsahn has firmly established himself as an unpredictable maverick. Frontman and chief composer with the legendary Emperor, he re-wrote the rulebook on epic extreme music across a series of albums that are still widely regarded as classics. Launching his solo career in 2006 with The Adversary he has sought to maintain the black metal blueprint that he helped devise with the world-shattering Emperor, while mischievously exploring progressive dreamscapes, avant-garde jazz, electronica, darkwave, ear-crushing tech-metal and ambient meditations. Each full-length album has had an element of surprise and delight, where the architect plays out his creative vision by building on an unwavering zeal for the shock and awe that keeps his listeners on their toes.
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